Beyond this, many of the modifications and updates are relatively subtle, such as the possibility to export to ePUB for the eBook Market, iPad, Sony Reader and NOOK format converters plus an image grid. The update adds a little more power to your elbow in the form of an App Studio for mobiles and iPads allowing you to create your own interactive publications. However, those looking for major improvements in version 9 of QuarkXPress might be disappointed. The end result is highly professional web and print layouts. You can make the transition back and forth simpler by changing InDesign’s default unit value to 20/1000 (equivalent to QuarkXPress’s 1/200) in Preferences/Units & Increments.The reason for its longevity is simply because QuarkXPress is a very powerful design and page layout software package but at the same time, retains an intuitive and versatile interface that lets you combine elegant typography with color and pictures. This means that a kern value of -5 in QuarkXPress is equal to -25 in InDesign. QuarkXPress kerns to 1/200 of a unit, while the default for InDesign is 1/1000 of a unit. If you use both QuarkXPress and InDesign (or another Adobe design application), remember that these programs kern to different unit values. It does not affect the actual font in your Fonts folder, or the font’s use in other applications. When you change a value in Kern/Edit, the change will affect every instance of that character pair only within your QuarkXPress documents. This can be invaluable when setting large quantities of text. It lets you customize a font’s built-in kern table for use in one or all of your QuarkXPress documents. The Kern/Edit feature (under Utilities) is an often-overlooked kerning option in QuarkXPress. (Once the built-in kern pairs are turned on, you can still manually kern any character pairs you wish.) Check the preference settings and reduce the minimum point size, if necessary. It’s usually best to keep kern tables turned on for all sizes. Use Preferences/Character to control the point size at which built-in kern tables are turned on. There are several ways to control kerning in QuarkXPress. Remember that no matter which of these settings you use, you can always add manual kerns “on top,” as needed. The Character Palette has another useful kerning feature: if you highlight a character pair or chunk of copy and set the Character Palette kerning to 0, the selected text will be displayed without any of the built-in kern pairs. However, the real value of the Optical setting is that it automatically adjusts the fit when different fonts or type sizes are combined (see illustration). This can be useful when a font has few or no built-in kern pairs, or when the overall spacing seems uneven. Instead, it lets InDesign determine the spacing and kerning between all character pairs. The Optical setting does not use a font’s built-in kern tables. (In Adobe Illustrator, the Metrics setting is called Auto.) If the font has adequate kern pair tables, this default setting is usually the best choice. The Metrics setting uses a font’s built-in kerning pairs. Adobe InDesignĪdobe InDesign offers three options for controlling kerning, all located in the Character Palette. Here’s an overview to help you get the most out of these full-featured applications. QuarkXPress® and Adobe® InDesign® both offer advanced type-handling features, including options to control and customize kerning.
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